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| Janet DeBoos, Whiter than White, Object, No
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| David Bromfield, Ocean Light, Ceramic
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| Sarah Szabo, The Art of Craft, Insite,
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| Penny Smith, Tripping the Light Fantastic,
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| Peter Lane, Ocean Light, Ceramics, Art and
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| Andrew Nicholls,
Translucent Light
Angela Mellor and Mondo Lucé, Object, No 42, pp 36, 37 |
| Helen Hewitt, Make Art will Travel, Artlink,
Vol 22 no 3, p 45 |
| Beth Hatton, Australia Ceramics at SOFA,
Pottery in Australia, Vol 41 No 1, pp 68, 69 |
| Mara Fox, Pure Colour (Home design), Sunday
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| Angela Mellor, World
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| David Bromfield, Timeless Light, Ceramics,
Art and Perception, June 2001, Issue 44, pp 6-10 |
| Dorothy Erickson, Translucent Ceramics,
Craft Arts International, No 47, 2000, pp 77-79 |
| Angela Mellor, Illuminated Ceramic Objects,
Ceramics Technical, Vol 8, June 1999, pp 3-6 |
| Tina Harris, China Syndrome, Vogue Living,
September 1999, p 36 |
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| Sasha Wardell, Porcelain and Bone China,
2004, pp 17, 43 & 100 |
| Peter Lane, Contemporary Studio Porcelain,
2003, pp 35, 68-69 |
| Lark Books, 500 Bowls - Contemporary Exhibition of
Timeless Design, pp 228, 339 |
| Anne Lightwood, Containing the Light,
Paperclay and Other Additives, 2000, pp 12, 60, 127-8 |
| Susan Peterson, Craft and Art of Clay,
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| Sasha Wardell, Individual Approaches,
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| Peter Lane, Slipcasting, Contemporary
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