Bone china vessel, 1996, slip-cast, ht 18 cm


Bone china chalice, 1997, slip-cast, ht 17 cm

Exclusively fluid, organic forms in ultra-thin bone
china are the hallmark of Western Australian ceramic
artist Angela Mellor. Profile by Dr Dorothy Erickson.

EGETATIVE slip-cast forms decorated with matt underglaze colours first brought Angela Mellor's work to the notice of the Australian and European public. More recent monochromatic work contrasting organic detail with classical, flaring bell forms exploit the translucence of bone china. Mellor has had a lifelong interest in natural history subjects and much of her inspiration and original pastel palette is to be found in the minutiae of her surroundings. Bark, lichen, a spider's web, coral, shells, flowers, wings and the shadows on the wall opposite her kitchen window have inspired either form or decorative elements. Married since 1995 to mining engineer Manfred Dinse, she spends part of each year in Indonesia where the exotic tropical plants have been the inspiration for brighter colours in her palette. Marine life on the Australian coast is the inspiration for her current body of work.


'Liily', 1995, slip-cast bone china vessel, tallest 18 cm


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