|
OCEAN LIGHT. Profile – David Bromfield finds magic in Ocean
Light, Angela Mellor’s series of delicate bone china pieces. Ceramic
Review 211 January/February 2005, pp 40-43. (PDF file, 645KB) |
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TRIPPING
THE LIGHT FANTASTIC: WHEN ART AND SCIENCE CONVERGE. Article by
Penny Smith, Craft Arts International No.60, 2004, pp 2-4. (PDF file,
445KB) |
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OCEAN LIGHT
EXHIBITION CATALOGUE, Craftwest, November 2003 - January 2004,
Perth, Western Australia (PDF file, 531KB) |
| OCEAN
LIGHT. Article by Peter Lane, Ceramics: Art and Perception No. 53,
2003, pp 61-65. (PDF file, 111KB) |
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TRANSLUCENT LIGHT. Angela Mellor and Mondo Lucé, Article by Andrew
Nicholls, Object, No 42, 2003, pp 36, 37. (PDF file, 302KB) |
| TIMELESS LIGHT. The
Ceramics of Angela Mellor. Article by David Bromfield, Ceramics:
Art and Perception No. 44, 2001, pp 6-10. |
| TRANSLUCENT CERAMICS. Exquisitely fluid, organic forms
in ultra-thin bone china are the hallmark of Western Australian ceramic
artist Angela Mellor. Profile by Dr Dorothy Erickson, Craft Arts
International No. 47, 1999-2000, pp 77-79. |
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SHAPING THE FUTURE WITH EARTH.
World Ceramic Exposition Korea 2001. Article by Angela Mellor, Pottery
in Australia No. 4, December 2001, Vol 40, pp 56-57. |
| ILLUMINATED
CERAMIC OBJECTS. An exploration by Angela Mellor into organic
forms and translucency. Ceramics Technical No. 8, 1999, pp 3-6. |
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